Code Geass Season 1 Review – Give the People What They Want

Misanthropic teenager Lelouch Lamperouge is secretly an exiled prince of the Britannian Royal family living in the conquered nation of Japan. Living with his blind and wheelchair bound sister Nunnally, Lelouch expresses his contempt for the status quo through truancy and by conning dimwitted noblemen out of their money. During a terrorist attack by a Japanese resistance group Lelouch’s chance encounter with a mysterious woman grants him the power of Geass – the ability to force anyone he makes eye contact with to obey his orders – shakes him out of his apathy. Forced to seize the opportunity to wage war on his homeland he will use everything and everyone at his disposal in his quest to change the world. Ingratiating himself into the terrorist group as its mysterious tactical support and de facto leader in the hopes of building a better life for his sister and answers around their mother’s murder. Meanwhile a Japanese boy enlisted in the Britannian military named Suzaku Kururugi finds himself offered power normally reserved for the elite when he becomes the test pilot for the highly advanced Knightmare Frame. The Lancelot – mechanical knight of the empire – is the weapon Suzaku he hopes will allow him to save lives and change the system from within. Having known each other from childhood Suzaku and Lelouch have been unknowingly become archenemies as their paths cross and the scars of the past threaten to consume them.

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The Ghost in the Shell (2026) Preview – The Future is Old

I had the good fortune of seeing the first two episodes of the latest instalment of the Ghost in the Shell franchise in a cinema. The animation studio Science Saru (who have recently adapted the series Dandadan to much acclaim) are very passionate about the project. The extra behind-the-scenes featurette that played once Episode 2 ended provided a lot of insight into their motivations for the series. In addition to the animation and music, the interviews also made it clear the staff have very different connections to the wider franchise and for many of them it is a life-long fascination. Script writer EnJoe Toh in particular loves not just Masamune Shirow’s original 1989 comic series but also the author’s other works as well (other members of staff reference Appleseed as their first exposure to Shirow’s style). EnJoe’s approach seems to be to not just adapt the original manga but also try to keep it in harmony with Shirow’s other works. Does this mean later episodes will draw influence from Black Magic? Are Science Saru quietly signalling to the world they want to keep adapting Masamune Shirow once they finish The Ghost in the Shell? We can certainly speculate and hope so.

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